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Apparently I fill out book reviews quarterly?

The Whisper of Legends by Barbara Fradkin: This is an Inspector Green novel, but it wasn't my favourite in the series. Instead of the usual Ottawa setting, this is a fish-out-of-water cop in the wilderness of BC book... not really what I want from this series. Green spends most of it sadly incompetent as a city-boy and without much of a mystery to solve until right near the end.

The Fall Guy by Barbara Fradkin: I must have stuck this one on my list thinking it was a normal novel in a different series by this author, but it's actually a "quick reads" short story. The main character is a somewhat bumbling carpenter who - as with most cozies - gets implicated in a death and has to figure out what happened so he doesn't get sued (rather than jailed, which would be the more standard one). It was meh, if it hadn't been so short I probably wouldn't have finished it. It did improve somewhat, but there just isn't enough book for it to feel like it had more than sketched caricatures rather than fleshed characters.

Magic Rises by Ilona Andrews: This is part of a long running series that I normally really enjoy... but it's now suffering from the fact that the characters are too powerful in their home positions and normal circumstances, so to get some tension, this one takes Kate and Curran to Europe to deal with packs there. Plus, Kate's past that she's generally been hiding from (but not distractingly so) in the other books comes to the forefront. Darker than the earlier books in the series, though still enjoyable enough. Turns out I'm just not that keen on the big climactic battles as series start to wrap up.

A Slip of the Keyboard by Terry Pratchett: Didn't finish this collection of short essays. It suffered from too much of the same - it's just a bunch of pretty similar bits that Pratchett wrote for various publications and conventions over the years. There were probably a few things you could glean, but it's certainly not something I could sit and read through... and honestly, it was only going to dull my enjoyment of his fiction knowing his thoughts on the writing process. Probably best that I stopped.

Unbound by Jim C. Hines: The latest in the libriomancer series was... okay. Isaac is without his powers in this one, and honestly not that interesting because of it. His ridiculous team up buddies were kinda fun, and the book moves along quickly enough, but I didn't love the bad guy dynamic and I find that when the character is working on a puzzle that's unsolvable by the reader to be a little unexciting.

Chew [3] by John Layman: I continue to enjoy this comic book series. FDA agent who can see the history of things he eats, and his competent girlfriend who can describe foods so strongly that people taste them? Ridiculous and amusing.

The Doomsday Equation by Matt Richtel: Here's an unusual one - I didn't like the main character, but it didn't detract from my enjoyment of this book! He's a jerk of a Silicon Valley techie who is super wrapped up in himself and his software that predicts conflict... which fails when he field tests it. When it predicts a nuclear war he doesn't know if the software is still broken or if something terrible is coming, cue odd techno-nerd thriller from there. Enjoyable because he was believable enough and didn't need to be sympathetic for the story to work.

Karen Memory by Elizabeth Bear: This book is set in a steampunk historical west coast (Seattle/Portland/etc) city and features a main character who is a prostitute and all her coworkers, fighting against the (inevitably corrupt) mayor. I liked it! It gets a bit overly magical at the end (the tech is not believable), but I liked the writing and the characters.

Johnny Hiro by Fred Chao: A comic book about a young guy making a living in a town that is home to ninja gangs, dinosaurs, etc. Completely absurd but played relatively straight, this was a fun one with an appropriate art style.

Kop by Warren Hammond: In a future colony world where the economy has collapsed, a corrupt cop works to keep his corrupt chief in power. The setting of this one is pretty interesting - the colony world is very poor, but still has periodic interaction with rich offworlders/earthers... so while most of it is pretty low tech, there's a wide range on occasion. The main character isn't a particularly smart or good person, but he grows on you. I'm planning to keep on with the series.

Magic Breaks by Ilona Andrews: I think this is the Kate Daniels book where half of it is about her husband's ex-wife trying to ruin their marriage? If so, I didn't enjoy that. There's rare glimpses of the intelligence I expect from Kate and Curran (they do talk about what his ex-wife is doing, rather than being pissed off at each other all the time per her machinations), but it was a tiring read. Oh, and big-bad continues to be big and bad as the main story line, I guess.

Man of La Mancha [CD]: Apropos of nothing, I like the music from Man of La Mancha although my knowledge of the play and Don Quixote is meager.

Wicked [CD]: However, with the exception of the song "popular", which is fun, I don't like the music from Wicked. So dense. So repetitive. Maybe I'd be more inclined to it if I saw the musical, but I'm guessing I've got enough bias at this point that it'd be hard to turn enjoy.

A Natural History of Dragons by Marie Brennan: This is a book that is... hm... pride and prejudice with dragons, I suppose. I liked it a lot! The book is written as a memoir from the now old Lady Trent, describing her early life and obsession with learning about dragons. I enjoyed her scientific approach (very field naturalist) and even enjoyed the regency styling of the historical period. I'll be getting out more in the series - looking forward to seeing how she evolves into her older self through the stories.

Planetary [2] by Warren Ellis: Planetary continues to be a kinda weird comic book about super powered individuals. I enjoy it while I'm reading it but haven't developed any meaningful connection to the characters. The artwork is pretty good.

The Best Laid Plans by Terry Fallis: I wasn't sure I'd enjoy this book much. It's about a last-ditch candidacy run by a party insider for a candidate that doesn't want to be elected to parliament at all... so of course, a huge scandal breaks on the incumbent and this guy gets elected instead. It was marketed as being a funny look inside Canadian politics, but it came across more as a lefty-fantasy about unseating Jim Flaherty with a down-to-earth left wing professor who would turn parliament on its head, for the assumed-better. That said, I enjoyed it well enough for what it was - the characters were quirky and the climax amusing.

Legacy by Jeanne C. Stein: Oh dear, this series fell on its face. Weird "sexy" scenes, stupid issues that would have been solved by better communication, introduction of more supernatural things kinda pointlessly... not good. Plus, nothing of her doing her bounty hunter job, which was what made this series interesting. I'll not continue with this one, there's much better urban fantasy to be had.

My Fair Lady [CD]: I like the music from My Fair Lady well enough. Not as much as our band conductor, though!

Unsympathetic Magic by Laura Resnick: The library didn't have the second book in the Esther Diamond series, so I've skipped ahead to the third. This one was our aspiring actress getting caught up in a voodoo plot... not as good as the first one, but generally still an amusing romp. Would have liked more of the knowledgeable wizard friend and for the book not to have had such a ridiculous cover. Although it did stop a guy from continuing to talk to me on the bus when he asked what I was reading and I flipped it over...

Deadout by Jonathan McGoran: This is the second book in a series of weird eco-thrillers, the first of which I didn't like until the twist turned out not to be as preachy as I'd feared. For this second one, I didn't have that weighing on me, so I just played along as the author unspooled a weird story set in Martha's Vineyard with genetically modified bees and colony collapse and all that fun stuff. The main character is still dumb as a bag of bricks, so things just sort of happen around him while he gets in fights with random people. This one was straightforward and predictable as far as the evildoers' plot goes, which was a tad disappointing since the other one actually surprised me. I think continuing with this character is a mistake, though, and the stories would probably have been better as standalones. Now it just seems like weird eco-crises follow him around.

Valour and Vanity by Mary Robinette Kowal: This is somewhere in the series that is regency-with-magic where people can fold light to make images. The main characters are now happily married and doing well for themselves, which of course means they need to be attacked by pirates and be without their resources for most of the book. If you didn't get the sarcasm in text form, I promise it was there in my head. Then, later, the book turns into a heist story abruptly. There are a few novel uses of the magic, but that's about all there is to recommend this one. Earlier in the series was more satisfying.
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Probably missed some, but here's what was still on my recently returned list (starts January).

Drift by Jonathan McGoran: This book starts with acknowledgements to some very "anti-chemical" foundations and leads with a heavy dose of pesticides-are-terrible commentary that sat poorly with me. Because of that, I had a hard time enjoying the book, because I was expecting the twist to be more heavy-handed scaremongering. It actually wasn't, though, and I relatively enjoyed the end of the book... pity it was such a struggle to get to.

It's sort of a thriller style, I guess, with a not terribly likeable main character who is weirdly oblivious to what's going on - crop duster flies by the house spraying, main character comments on not having athlete's foot anymore but has no idea what could have happened - with poor judgement (tented field next door & hazmat style people walking about? Let's cut into it and see what's going on!). I thought the villain's ideas were a lot more interesting than the main character, so it was a pity to spend so much time on him.

Memory of Water by Emmy Itäranta: I walked into this expecting historical Asian tea ceremony stuff and instead got post-apocalyptic Nordic water politics (and tea ceremony stuff). Actually pretty cool! Sad, though it tried to wrap up with hope on the horizon. I don't think I'd broadly recommend it, but if you liked other sad YA books like Code Name Verity you might like this one as well. They're completely unrelated, but for some reason struck me as being similarly enjoyable.

Scarlet by Marissa Meyer: Vague recollection that this one wasn't as good as the first one. Re-reading the plot summary, I think the issue was that it spent a lot of time on Scarlet and Wolf, who I didn't particularly care about... I though the series really had enough with Cinder-the-cyborg to not need a new fairy tale every book. I just wanted to know more of her story. I will keep on with the series, though.

Underground by Kat Richardson: This was one where the library didn't have the first books, so I jumped in somewhere in the middle. Urban fantasy, set in Seattle, with a main character who can see (and sometimes manipulate) the strands that hold together paranormal things like ghosts or zombies. I enjoyed it well enough, the setting of the Seattle Underground is always a fun one for familiarity's sake and the main character was pleasantly practical. Glad to have another series to go through, since I'm getting towards the end on a couple.

Hell is Empty by Craig Johnson: I found this particular Longmire book super hard to focus on because it was made into an episode that I'd already seen, so half of it was distractingly familiar. Still good, of course, though more action than mystery.

FBP: Federal Bureau of Physics [graphic novel] by Simon Oliver: Picked this up off the shelf on a whim and I was pleasantly amused. Failures in basic physics have lead to disasters and the creation of a bureau whose job it is to contain them - the artwork is good, the concept is zany, and the story was solid. Not terribly serious, but also not completely comedy.

Haunted Moon by Yasmin Galenorn: Another day, another Otherworld book. I'm up to 2013, so I probably only have... what, four or five more to go? She churns out more than one some years. Anyway, this one is about the witch, largely fighting the gross undead. It was fine, a quick read as always, but its definitely suffering from making its main characters too strong - now to be threatened, they have to literally fight gods? Seriously?

Turn Coat by Jim Butcher: This was a pretty good Dresden novel. Mostly a murder mystery with a side of tactical mage fighting (the whole island planning was amusing). A bit heavy on side-lining otherwise strong character for dramatic reasons, but generally enjoyable.

Beat the Reaper by Josh Bazell: Oh hey, a new series rather than just more of the same! This was a book about an ex-hitman turned medical intern at a bad hospital. What makes this book shine is the aside medical information (I liked the use of footnotes, though M thought it was a bit of a crutch for the writer) and the writing style, which had lines that actually made me laugh aloud. I wish I'd noted some of them, but here's one that someone noted on Goodreads, with the main character thinking on his students: “My medical students. Two cups of human misery in short white coats. One is male and the other one female, and they both have names. That's all I can ever remember about them.”

While I really enjoyed the writing, I wouldn't broadly recommend the book because it is crude and also incredibly violent. It also doesn't ring true at all, it's clearly an absurdist take on the concept - it reads almost more like a comic book or a movie with a self-awareness of how silly the coincidences are. I'm still going to try the next book, though, because how often does an author actually make me laugh?

Night Broken by Patricia Briggs: And back to series. This is a Mercy Thompson book, a series that I haven't read in quite a while, but it came back to me pretty quickly. It felt a bit more contrived than I remember (this one is largely about Adam's ex-wife being at their house, due to a stalker), but it didn't press unreasonably on the drama levers (she succeeded at some social manipulation, but Adam and Mercy discuss what's happening and acknowledge it every step of the way as a loving married couple). Didn't find the villain terribly compelling, though the fights were interesting.

White Heat by M.J. McGrath: Set up in Nunavut, this book was half slice-of-life and half murder mystery. I don't know what it was about it, but I had trouble reading it for long stretches - I'd pick it up, read a chapter, then put it back down. Not that I didn't like it, but that's an unusual way for me to read... it took 'til halfway through the book for me to really be able to go through it. Perhaps not coincidentally, that's when the main character sobers up again and starts really tracking down the mystery parts, so maybe that's all there is to it. I'll be looking up the others in the series, though.

Shutter by Courtney Alemeda: This is YA urban fantasy in the modern era of the world if Bram Stoker's Dracula had been real. The main characters are the youngest of the historical hunters - Helsing as the main character, a young woman who specializes in exorcism via camera lens, plus three young men who do research and destruction of more physical threats (like zombies). It was a bit too predictable and fit in the mold of a lot of other YA, other than those conceptual quirks, but it was also pretty decent. I'd recommend it as an alternative to things like City of Bones - it was much better than that.

The Bone Collector by Jeffery Deaver: I don't remember where this recommendation came from, but I was super confused when I started it. The blurbs made it out to be a thriller, which it sort of was, but the main character is quadriplegic. So, not exactly the usual. I had trouble getting into it at the beginning, because it does show the deaths of the first two victims of the serial killer - not from the killers POV exactly, but close enough to be really unpleasant. After that, it gets a lot more into the forensics (main character was a forensics guy before his accident and is consulting) and saving potential victims, so that was a lot more tolerable. It also spends a bunch of time on his decision to commit suicide. By the end, I liked it and was willing to look into more of the series, but it was tempered by how much I didn't like the beginning. The whole thing read a bit more like a TV show than a good mystery book.

Hidden by Benedict Jacka: I don't recall if I reviewed the book previous to this in the series, but this book continues on with the vibe of "oh shoot, I liked this series but then it went on and on about the main character's dark past and I got less interested." This one wasn't as bad, but it was still dealing with the fallout of the previous book, so... still not great. It's a pity, I remember being really pleased with the beginning of this series. It was okay, but it didn't have a lot of clever uses of his (totally interesting and awesome) probability magic, so that was a bit disappointing. It did sort of resolve the drama of the last book, so fingers crossed that the next one gets back to the joy of the original.
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More getting-vague recollections of books I've read!

Lock In by John Scalzi: This standalone novel was not at all what I expected - the press I'd seen about it was focused on the hook: that the world had an epidemic disease that caused a percentage of people to be unable to control their bodies but still mentally there. In actual fact, the book is set long enough after that (the main character is one of the "locked in", but has a robot body to use) that it wasn't the focal point. Instead, it's a mystery novel with some interesting political fallout from the epidemic. I quite enjoyed it, and it's worth a shot even if Scalzi's more traditional sci fi never interested you.

Bones Never Lie by Kathy Reichs: Not my favourite novel in the series. Child murders from the past (was I supposed to remember this from a previous book?), by a serial killer, with the subplot being the break down of her romantic lead? Pretty much a downer. Didn't feel like there was a lot of forensics of interest either, the lead was more just swept along in a normal police investigation.

Raging Heat by Richard Castle: Another in the Castle tie-in series of novels. Fun, and despite a ridiculous opening (the body falling through the glass roof of a museum), a solid enough mystery. Still curious who the writer(s) are.

Traitor's Blade by Sebastien de Castell: Aw, I wanted to be able to recommend this one, I really did. I enjoyed most of it - the stories of three down-and-out traveling judges (well, basically) in olden times with amusingly modern language (not anachronistic, per se, but very current phrasing), swordfights, etc. But then the author deus ex'd (literally - suddenly direct intervention of gods/saints, what? and also figuratively - "all the things you were doing, I had planned from the start!") the whole damn thing in the end, and it was very disappointing.

The Absolutely True Diary of a Part-time Indian by Sherman Alexie: A young adult novel, including illustrations (the narrator likes to draw comics), about growing up on the res. It's a light read, halfheartedly amusing with some sad truths.

Enders by Lissa Price: Wasn't as keen on this one as on the first novel (Starters). Maybe I spent too long between them, but I didn't feel terribly connected to the character's woes, and the twist felt hollow and uninteresting to me because of it.

Small Favor by Jim Butcher: This was possibly the best Dresden Files book I remember reading. Nothing about it repulsed me, it was simply enjoyable to read.

Beautiful Lie the Dead by Barbara Fradkin: Another in the local mystery series. I liked it - the inspector's home life wasn't weird or angsty and the mystery was solid (if a bit cringe-worthy in conclusion).
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Let's see how much I remember about the books I've read in the past while!

Three Parts Dead by Max Gladstone: This is a strange book. It's set in a industrial age world with gods and magic and... lawyers who do necromancy, ish? I didn't hate it, but it didn't exactly enthrall me either. It felt like there was a bit too much going on, as if the author had done a lot of world building and couldn't wait to show it off, but really, not all of it needed to be in this book. Towards the end it was also rather predictable.

Village of the Ghost Bears by Stan Jones: Huh, this book was significantly better than all the other ones in the series. I quite liked it - still a bit bothered by the main character's relationship, but the story was very good.

Feeling Good by David D. Burns: What was I doing reading a self-help book about depression? I don't remember, but it was on my list so I got it out. I read the intro and skimmed through the rest - mostly it told me that I do not have self esteem issues, unlike, apparently, a lot of depressed people. Also, if someone offers you a quiz to test your depression levels, it will almost always tell you that you are moderately depressed because if you answer anything other than "rarely" or "never" to their very generic questions (like, do you feel sad in a week), you fall into the huge "moderate depression" category. Mostly the author spent his time trying to convince you that the book might work for you. It felt like a placebo at best, a con at worst.

Junkyard Dogs by Craig Johnson: Aw, the Longmire TV show got cancelled this year. Oh well, at least I can still read the books! This one, as usual, was good - I enjoyed the scenery and characters around the scrapyard. The mystery was a bit contrived, though, and no one seemed like they reacted enough to the fact that this was a massive serial killer they were going after. Strange.

Akata Witch by Nnedi Okorafor: This is a young adult novel that's basically a kid magic coming of age story, with modern Nigeria as a background. I presume the magic system is based off of Nigerian folklore as well, though I didn't go and look it up. It was a fun enough read, didn't take too long.

Gardens of the Moon by Steven Erikson: This book/series came very oddly recommended to me. I was lent a copy with the comment that I'd probably like it, but that it was a pretty confusing read and that the recommender had never gone on with the series because of that... next a coworker told me that the second book was really good, and that the first book would eventually make sense... a similar comment came from my neighbour at band, who read it and felt like she should read it a second time to make sense of things (but she never had). So, uh, often recommended but not exactly highly?

With all that warning, I went through the first third of the book with it just sort of washing over me. There was a lot of different characters and not a lot of explanation as to why anything was happening. The next third introduced even more characters and pulled together some background into a bit more coherent of a world. The final third pulled all the characters physically together, unmasked a few things and was generally a let down. Yeah, that's right: the part that should have been the pay off was just disappointing. They built up a character the entire book and then took away what made her interesting without doing anything about it... I only ever came to care at all about one of the characters (out of a huge cast)... and frankly, there was just a lot going on for no real reason.

I think fantasy writers should learn something from mystery writers. It's great that you have a huge world in your head, but you don't have to shove it all down my throat. Subtlety makes for a way better payoff... I don't want to get to the end and be thinking "about damn time you explained that nonsense from the beginning", I want "oh my god, that was foreshadowed and I didn't even notice it at the time, you clever bastard".

Did I hate it? Nah. But I wouldn't recommend it either, it's just another weird-ass epic fantasy that leaves you at the end of 700 pages wondering whether you really got that much out of it. Also, the title of the book is a strange choice, and I was constantly troubled by the idea that there was a mobile "moon" that apparently didn't cause gravitational effects. Totally unnecessary as well.
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I continue to keep busy with work + costuming efforts at home, so here's the belated quick reviews of what I've read since last month.

Shaded Vision by Yasmine Galenorn

The series continues. This one was focussed on the were-sister and was generally pretty pleasant to read... it's fading rapidly, but I do remember thinking that the core of this one was a commentary on hate crimes. It wasn't subtle at all.

Defending Battered Women on Trial by Elizabeth A. Sheehy

I didn't read all of this one, just the one chapter about a local case. Beyond the details of the case, it also talked a fair bit about the very negative portrayal in media and the aggressive tone of the police and prosecution. An unsettling read.

Warbreaker by Brandon Sanderson

This was a well written fantasy novel with the most god damned inconsistent and illogical magic system I've ever read. It was like the magic system was made up by an 8 year old and then the book was written by an adult. Perhaps that's really how it was. Anyway, it was a good enough read, but I found it really off-putting when near the end one of the characters started expounding on the magic system as if it was scientific and well-studied and made any damn sense.

Also, calling it "BioChroma" when nothing else is inner-capped like that made me think it was a brand name every time it came up.

Cinder by Melissa Meyer

So good!

Seriously, I know a lot of the time when I write about things I'm pretty down on the flaws, but I really liked this one. It's a young adult novel that's a sci-fi Cinderella story - the Cinderella character is a cyborg and mechanic, and she is clever and interesting, as are the other characters. I'm very much looking forward to picking up the next in the series... although it stands alone okay, it doesn't have a happily-ever-after ending and the sci-fi intrigue looks to be excellent.
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Another quick post, before I forget everything.

Inferno by Dan Brown

I haven't read any other Dan Brown novels. His use of ellipses and italics is hilarious - M and I read this out loud to each other for a while and it was awesome and probably entirely inappropriate for the book. Although I enjoyed it well enough, the oddity of this book was that the main character was utterly unimportant to me: if he'd been replaced with an art history textbook or an internet connection for the secondary character to figure out the "mystery", I'd have been just as pleased.

Also, I was utterly pleased with the twist / resolution of the book, except that it kinda messed up everything that happened before. Spoiler: it really screws up your narrative if it turns out that the crazy guy who was releasing a plague to reduce human population is actually a pretty sane guy with a really reasonable solution considering his ideals and talents. I got to the end and was like "huh, that's the best way he could have handled this" and then went "wait, so why did he make this crazy art treasure map thing and commit suicide? Dude had a legit solution and could even have just lived on as normal."

It didn't sit right in retrospect, 'cause I'm pretty sure the guy had to be sane. I need an explanation for why he did this nutty thing, and I can't resolve it in my brain. If you have one, I would like to hear it and stop thinking about it myself - all I've got is "ego", but ego doesn't usually commit suicide.

Promise of Blood by Ian McClellan

This is an industrial age fantasy series, which was pleasantly unusual: although there are traditional mages in it, the main characters are powder mages - mages who use gunpowder and guns. It's the first in the series (and only, at the moment), and I liked it surprisingly. You know I'm not much for series where I don't like the characters as people, but this one didn't bother me. They seemed like legitimate people doing what seemed reasonable in their situations, and the setting and writing were quite good.

The plot started strong as a political drama - the cover of the book itself will tell you that it starts with a coup - and stayed well paced despite having to introduce me to new magic concepts. It honestly gets a bit weird, with gods and big magic... but the characters also think it's weird, so I stayed in the zone while reading it. Looking forward to another in the series.

Hexed [short story anthology] by Ilona Andrews, Yasmine Galenorn, Allyson James and Jeanne C. Stein

This book was a set of four tie-in novellas for urban fantasy (/romance) series. Two of the series I have read (highly recommend Ilona Andrews series, would not generally recommend Yasmine Galenorn's because I'm uncomfortable recommending heavily romance series to people, but it's there if you want it). Here's my thoughts on the stories:

Magic dreams / Ilona Andrews

I really thought I'd read this one before, but it turned out I hadn't! It follows a weretiger (who I didn't remember, but was probably there in passing in the main series) and also the werecat Alpha (who has been a prominent, if still secondary character). I didn't love it the way I do the main series. It felt too much like it was just a tossed off story because the authors wanted to hook up the Alpha and I didn't really feel like the relationship was genuine since I had no impression of them having previous interactions. This was not a story from that universe that I cared about.

Ice shards / Yasmine Galenorn

This was why I actually picked up the anthology: this novella went before the last book I read in this series, and it was seriously annoying not having its back story. It resolves the story of Iris, who has always been a secondary but interesting character in the main series. Predictable (maybe because I'd read the book after it... but I think regardless), but pleasant.

Double hexed / Allyson James

Oh my god. This was a tragic look into what appears to be a terrible series. Half mystic indian / half goddess (literally) main character! Sexy weredragon boyfriend! Reformed vampire! Sexy Coyote (yes, the trickster god) who hits on her as well! Magic mirror who also hits on her / is a super perv! Big magic curse making them all lose control at the same time!

Yeah, it was bad. I can only imagine the series is the same, but probably with more sex scenes.

Blood debt / Jeanne C. Stein.

Vampire bounty hunter, who has human partner bounty hunters (who she is not sleeping with and who also don't know she's a vampire). Still some gratuitous moments, but overall pretty enjoyable. I'm going to try one of the books in the series and see if it's any good - seems like there's some potential, at least.
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Quick thoughts on the recent books I've read: less complete than usual because I left it too long and my memory is fading.

The Dark Horse by Craig Johnson

Enjoyable mystery; the twist was a tad predictable. Outside of the usual physical boundaries (not in the county, but in another small local town). A bit blasé about an innocent's death, which was somewhat unusual.

Raising Steam by Terry Pratchett

Not a set of characters that I like - this was about Moist aka the guy from the books about the post office and the bank and the mint. Disappointing how God-like Vetinari is written (it was always like this a bit, but it grated on me), and the lack of characters I do like despite it being mostly set in Ankh-Morpork. Vimes was there but not particularly enjoyably.

Princess of Glass by Jessica Day George

Good enough for a young adult novel. Still bugs me that all the new princesses are victims - I actually would have liked Cinderella to be the jerk she was initially presented as. But I guess in a fluff series, I can't really expect that. At least the main character (a princess from the first book) was generally quite pleasant and heroic.
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This is the third book in the In-cryptid series, which is basically about a family of people who work with "mythical" type creatures in current times - like boogeymen, yeti, gorgons, etc. Typically, that means helping them keep hidden but integrated into society, and hunting down ones that are dangerous to the general population.

Unlike the first two, this one is headlined by Alex rather than his sister, Verity. Alex specializes in reptile-like species, and works in a zoo - when one of his coworkers is found partially turned to stone, it's up to him (and his family, and his other coworker who happens to be a gorgon) to find and stop the culprit.

This series is *fun* - not gritty, not gory, and not pretentious. It's the episodic whodunit of urban fantasy (at least this one was), and it's a glorious relief after reading through so many heavier series where each book's problems escalate from the last. Oh, and the talking religious (their own religion, mind) mice, aka the best part of this series, are also in this one.

Next one is out March 2015, and I'll be watching for it.
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The Jennifer Morgue is the second-ish book in the Laundry Files series by Charles Stross. I previously reviewed the first one and quite enjoyed it... this one, less so. By the by, I'm tagging by author at the bottom of posts now to make it easier to hop back to old related reviews. Not quite as classy as finding the link and adding it in the post itself, but it's something.

The central conceit in this book is that it's supposed to play out like a Bond film - they're under a magical geas that forces it to. Although I didn't mind the "twist" (spoiler: turns out the nerdy main character is not a good Bond type), Bond tropes aren't a thing I really enjoy at all, and there was too much of that and too little of the math-summons-monsters interest of the previous book. It's hard not to feel like this book is a skeezy wish fulfillment story for most of it, although it did pick up a bit at the end.

I recently saw someone comment that Stross is hit or miss - worth reading if someone recommends a book specifically, but don't try to read his whole catalog. I think I'm in agreement and won't be continuing with this series.
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Brute Strength is the 19th (!) book in the Holly Winter's series, aka, the dog mysteries with the malamutes. I suspect I haven't read every book, but I must have read a lot of them. I think we slowed down on them because the reintroduction of the characters became too repetitive, but having been away from the series a while now, I didn't feel that way about this book.

Interestingly, if you didn't know this was a mystery series, you could read about halfway through this book before it ever became clear to you - up to then it's just a book about some dogs and their people. The main character, as usual, talks and thinks about dogs a lot, and I bemusedly related to the tendency to greet the dog before the owner. If you know it's a mystery series, you can guess a lot more, but I didn't find it too distracting. M may have thought I was a bit odd as I predicted the plot of the book at him, though.

The mystery and wrap up was a little abrupt and far fetched, as you might expect for this sort of cozy. I didn't mind - it was good fun and a pleasant break from the other novel I've been reading and putting down constantly.
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This is the fourth book in the Walt Longmire series. I'm quite a bit behind since I'd accidentally got on the waiting list at the library on an original copy of the book: they've since been re-released with the TV series branding so more copies are available, but if you were on the other list, you didn't get offered them. It's worth checking if you've been waiting for a series.

Anyway. This book is the usual suspects in a murder investigation set in Wyoming... with a secondary plot of flashbacks to the main character's time in Vietnam. I don't know really anything about the Vietnam war except for the use of Agent Orange (shudder), so I can't speak to realism or anything, but it didn't cast it as a heroic fight or anything, which seems legitimate. It was perhaps a bit unfortunate, writing wise, that I would get more interested in one story or the other and wanted to skip forward to continue it.

I'm quite enjoying this series. As always, it's a bit odd reading them and watching the (halfway unrelated) television series at the same time... I like the show in both mediums, but you really do have to keep them a bit compartmentalized since they don't follow the same paths.
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This Thing of Darkness is the 7th in the Inspector Green mystery series.

The books continue to be well written mysteries, but this one felt... staged. The author really seems to want to tie in all her main characters in every book, and directly to the mystery, such that it's honestly getting a bit repetitive. Inspector Green is Jewish, so of course there's a connection to the Jewish community (the victim, who also reminds him of his ailing father, because that's another thing she likes to mention all the time)... his wife is a nurse at the mental hospital, so the suspect is a patient at said hospital...

I don't know. It didn't feel good. It felt like watching a TV show - where you can predict what's happening just based on "this person had a speaking role" or "they mentioned this unnecessarily". I don't normally feel too strongly about it, but it grated on this one.
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Broken Homes is the fourth of the Rivers of London (aka Midnight Riot) series - a British urban fantasy (cops + magic) series that I've strongly recommended in the past.

I really enjoyed this book right up to the last chapter. I'm writing this a bit late, so the details are starting to fade for me, but it was an enjoyable story with characters I know and like. I'd say it was a little less a mystery than some of the previous ones (but again, fuzzy memories) and more just an unfolding story.

But... it didn't resolve the way I like a book to resolve. I know that's me, and it's coupled with "but... there isn't another one out yet", so if you're not as concerned about that perhaps it wouldn't spoil your enjoyment of the book. Technically, the main story does end, but unsatisfyingly - i.e., the good guys don't really get make any gains at the end of it, so it feels more like "oh, the bad guys plan is progressing. THE END."

The next one is to be released in September 2014 and will perhaps provide some redemption.
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Starters is a post-apocolyptic young adult novel. The concept is that there was a war with bioweapons that the US was only partially prepared for: they vaccinated the young and the elderly, but hadn't got to the main working-age population before the weapons hit cities. The book starts a few years after this, with the population now divided into "starters" (0-18) and "enders" (80+, it seems... up to 200, apparently this is a future with extended lifetimes).

The main character is an unclaimed teenager - homeless after the deaths of her parents and looking after her young brother, and legally unable to work due to legislation of the working age as over 18. The sci-fi concept kinda failed here... the theory in the book was that this legislation was because Enders were afraid they wouldn't be able to compete for jobs, but then it seems like so much money is with the Enders that it wouldn't really be relevant. The concept is a little rough anyway, since they definitely imply that no one is left in the mid-ages, but that's hardly believable. Perhaps it's just simplified because a) kids book and b) character's point of view.

Anyway, she ends up going to a company that gets around the kids-working clause by renting out their bodies to Enders who want to be young again for a short period of time. The Starter is supposed to go into a sedated sleep for the time while the Ender controls their body, etc, etc.

It's an interesting enough starting point and a solid YA novel. Also, although it's a two-book set (Starters and Enders, respectively), the first book has a coherent arc and a satisfying ending. It's fine as a standalone, although I intend to read the other one as well.
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I read this book because it was available free as an ebook, but I can't really recommend it. It's a coming of age / discovery of magic novel with a backdrop of gang violence and... elves. Uh. Honestly, I feel like if it had gone with just the gangs + magic, I probably would have liked it more. The whole book never quite fit together in my mind.

Point of interest, it is a lot more ethnically diverse than the average novel, so I guess it has that going for it. And I did finish it, even if I felt it was somewhat lackluster. The hook, such as it is, is a teenage runaway discovering that she has the ability to heal people. Gangs want her, elves inexplicably want her, and some random lady from social services also happens to be a magic user who wants to help her. It's... something.
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I don't quite recall how I stumbled upon London Falling - most likely a blog post? This is the hazard of putting books on a "for later" list and not getting them until months after. It's the first of a series - the second of which will come out in a few days (May 22, presuming North American release is the same time as the UK one).

London Falling is a... hm. It self-describes as an urban fantasy, but I wouldn't call it that. If I had to mush genres together to get this, I'd say it's a police procedural supernatural horror. I've ordered it that way because it really is a police procedural first (the fact that the crime is supernatural in origin isn't immediately known - the officers grow into the knowledge with the reader), and I've added the "horror" genre because it's darker than the average urban fantasy. There's a feeling of reality even in the frankly unbelievable because the characters are with you on it, and that speaks more to horror than fantasy as a genre.

Man, the book is good. The writing really takes you into it - I have strong visuals in my head (which is pretty unusual for me - oddly, I think the last one was another Brit police + magic novel: Ben Aaronovitch's Midnight Riot) from it, and it's sticking with me despite not writing this review immediately after reading. It's perhaps not a surprise, in retrospect, to find that Paul Cornell writes for television and comics as well. The writing feels rich in visuals without being overly described.

For me, knowing I have no problem with supernatural as a genre, I almost felt it a pity that I knew about it in advance... I would have liked to discover it in the novel rather than on the cover. Sorry I'm not giving you that chance either, but it's really unavoidable when you're holding the book because of all the blurbs and description. Perhaps it's for the best, though, because I could see someone who wanted a "real" story being totally frustrated when it goes off into the supernatural.
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Frozen Sun is the third of the Nathan Active mysteries, set in Alaska. I read the previous one and thought it was okay. This one is better - I didn't want to put it down (it's not a long book, mind) until the mystery was resolved, so that was great.

Here's the oddity, though: by the time I finished the book, I felt very... unsettled. There's a period where the lead is pretty certain that someone he's attracted to is a murderer, and I didn't feel like the handling of that was very good. I felt uncomfortable with the fact that he seemed oddly cool with it, and then it didn't feel fully resolved in the end except in the sense that you could feel pretty certain that he didn't care.

Just... weird. I liked the mystery, but didn't love the way the character went.
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Proven Guilty is the 8th book in The Dresden Files series. I've not read every book in the series, though I am moving forward chronologically... you may recall, I didn't much care for the last one I read and I put the series down for a while in response.

Happy news, this one was a lot better! The main character isn't weirdly focussed on protecting women (they are perfectly capable of protecting themselves, including the generic "uptight wife of friend" character turning out to be a badass swordfighter - very logically, since she works out with her sword-wielding husband, but somehow it never came up before), and there isn't a huge amount of gratuitous sex and gut-wrenching descriptions of violence.

Instead, we have an enjoyable novel starting from the somewhat concept of horror movie monsters appearing during a horror convention (and, yes, killing people). It's not as film noir / mystery as I would personally like, but it was enough of a page turner to get me through it and it left me willing to read the next book.
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Princess of the Midnight Ball is a retelling of the fairytale "The Twelve Dancing Princesses". I'm not familiar with the original tale, and I didn't look it up before reading the book (though I did just read the wikipedia page now).

This was a enjoyable young adult novel. It's not particularly special - in fact, I assumed it was pretty true to the original story because it didn't seem to go outside of what I'd expected - but it's well written and has likeable characters. I'm personally a bit disappointed in any retelling where the princess(es) don't save themselves these days... while one of the princesses does make an effort at one time, the story isn't really about them - it's about the male protagonist.

Having now read what the original tale is like, the author did change it so that the princesses weren't actually malicious (they're cursed instead - faerie tale rather than fairytale, if that makes sense). While that means you're cheering for everyone except the curser, I now can't help but feel like I would have been more excited to have read one where the princesses turned out to be the villains.
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MaddAddam is the third and final novel in Atwood's post-apocalyptic series that started with Oryx and Crake. I read the second one (The Year of the Flood) relatively recently and found it underwhelming, you may recall. I'm happy to say that this one did improve my overall impression of the series, though I suspect that I enjoyed the first novel most.

So, while the first two books were concurrent with different characters, the third starts right after those and continues with both sets of characters surviving together in the decimated world. With one exception (the new information about the genetic spliced creatures), the current-time story (surviving) isn't very notable. Most of the book is actually about one character's history, Zeb, and about another character retelling it to the Crakers. The style is readable, though a bit put on toward the end when one of the Crakers is actually telling the story.

The book went by fast and I liked it well enough, but I wouldn't say it was mindblowing. It did redeem The Year of the Flood a fair bit.

June 2015

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